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David Clayton-Thomas, powerhouse lead singer of Blood, Sweat & Tears, dies at 84

FILE - David Clayton-Thomas of "Blood, Sweat and Tears" performs during one of several tailgate parties prior to the Texas A&M-Utah game on Sept. 2, 2004, in Salt Lake City. (AP Photo/Douglas C. Pizac, File)

NEW YORK (AP) 鈥 David Clayton-Thomas, the lead singer of Blood, Sweat & Tears, whose husky, high-strung tenor on 鈥淪pinning Wheel,鈥 鈥淎nd When I Die鈥 and other hits helped make the so-called 鈥渂rass rock鈥 band among the most popular acts of the late , has died at age 84.

Spokesperson Eric Alper said that Clayton-Thomas died 鈥減eacefully鈥 Wednesday at St. Michael鈥檚 Hospital in Toronto. Alper did not cite a specific cause.

Clayton-Thomas was a onetime street fighter and petty thief from Canada who briefly became a rock superstar, the front man of a nine-member group that sold millions of records and won two Grammys for 鈥淏lood, Sweat & Tears,鈥 which beat out the 鈥淎bbey Road鈥 for best album of 1969. Calling out amid a jazzy parade of horns, keyboards and percussion, Clayton-Thomas鈥 urgent shout was a signature voice of the era, preaching love on the Motown cover 鈥淵ou鈥檝e Made Me So Very Happy,鈥 a lasting legacy on Laura Nyro鈥檚 鈥淎nd When I Die鈥 and a cool head on his own 鈥淪pinning Wheel.鈥 Meanwhile, Blood, Sweat & Tears helped inspire a wave of horn-led bands, among them Chicago, the Electric Flag and Ten Wheel Drive.

鈥淎 lot of the guys (in Blood, Sweat & Tears) would play a Broadway show matinee, then go up to Harlem and play Latin music or R&B and funk at night, or come down to the Village and play pure jazz the next night,鈥 Clayton-Thomas told bestclassicbands.com in 2023. 鈥淚 was just a blues player: give me three chords and I鈥檝e got a song.鈥

At its peak, Blood, Sweat & Tears鈥 appeal was so broad it helped lead to the band鈥檚 downfall.

Hip enough to perform at the 1969 festival, where they were among the highest paid acts, they also were known enough to the establishment to tour Eastern Europe the following year on behalf of the State Department. When Clayton-Thomas and other band members denounced the Communist regimes on the other side of the Cold War, Rolling Stone鈥檚 David Felton wrote that 鈥渢he State Department got its money worth.鈥 Yippies would turn up at a 1970 Blood, Sweat & Tears show at Madison Square Garden, carrying obscene banners outside and dumping manure by the front gate.

The band had practical reasons for going along with the government: Clayton-Thomas, who had allegedly wielded a gun at his girlfriend, had been denied a green card and faced deportation. But after topping the charts in 1970 with the album 鈥淏lood, Sweat & Tears 3,鈥 their appeal soon faded. A burned out Clayton-Thomas left the group in 1972, and neither he nor the remaining musicians ever regained their old stature. Blood, Sweat & Tears would continue recording over the next few years, and even briefly reunited with Clayton-Thomas, who went on to release more than a dozen solo albums and tour on his own for decades.

Clayton-Thomas was inducted into the Canadian Music Hall of Fame in 1996. 鈥淪pinning Wheel,鈥 covered by everyone from James Brown to TV star Barbara Eden, was voted into the Canadian Songwriters Hall of Fame a decade later.

Clayton-Thomas is survived by his daughters, Ashleigh Clayton-Thomas and Christine Graham.

Up from the streets

Born David Henry Thomsett in Surrey, England, and raised near Toronto and Ottawa, he was the son of a Canadian World War II veteran and of a pianist-entertainer who helped inspire her son鈥檚 interest in music. Thomsett was lucky to have the chance. He fought violently with his father, was living in the streets by his mid-teens and by age 20 was serving time in a reformatory for vagrancy, assault and other crimes.

An old guitar, left behind by a fellow inmate, changed his life. He taught himself to play and began spending extensive time in the early 1960s around Toronto鈥檚 Yonge Street music 鈥渟trip,鈥 where peers included the American rockabilly star , a mentor to and other future members of the Band and a guide for Thomsett early in his career.

Anxious to reinvent himself, he changed his last name to Clayton-Thomas while leading his own groups. In the mid-60s, he released such albums as 鈥淪ings Like It Is鈥 and had a hit single with the anti-war rocker 鈥淏rainwashed.鈥 He would also befriend a rising star, , whose childlike 鈥淐ircle Game鈥 helped inspire 鈥淪pinning Wheel,鈥 and the venerable John Lee Hooker, who would indirectly contribute to Clayton-Thomas鈥 breakthrough in the U.S.

America beckons

Hooker had encouraged Clayton-Thomas to move to New York, where the American bluesman had an engagement at the Cafe Au Go Go in Greenwich Village. When Hooker unexpectedly departed for a tour of Europe, club owner Howard Solomon needed a replacement and recruited Clayton-Thomas.

鈥淪o I played him a couple songs on the guitar,鈥 Clayton-Thomas told bestclassicbands.com. 鈥淗e said, 鈥楧o you have a band?鈥 I said, 鈥楽ure,鈥 and went out into Greenwich Village looking for anybody carrying a guitar case or even looking like a musician, and we put together a little band and we opened there that night. We ended up staying there for several months.鈥

Around the same time, session man-producer Al Kooper was looking to a form jazz-rock group and was joined by such musicians as guitarist Steve Katz, drummer Bobby Colomby and horn players Randy Brecker and Jerry Weiss. They called themselves Blood, Sweat & Tears, releasing the debut album 鈥淐hild Is Father to the Man鈥 early in 1968. Although praised by Rolling Stone publisher Jann Wenner as 鈥渁 fine, exemplary group,鈥 members were torn between those allied with Kooper and those who thought his vocals too weak to attract a substantial audience.

By the end of the year, Kooper and others had departed, and the band was seeking a new singer. After Judy Collins saw Clayton-Thomas perform, she recommended him to Colomby.

鈥淚 got home and just a couple of days later, Bobby Colomby called me up and said, 鈥楬ey, Kooper鈥檚 gone. We got four guys left out of the nine. And we still got a record contract with Columbia. Do you want to come down and try out for the band?鈥濃 Clayton-Thomas told bestclassicbands.com. 鈥滻 said, 鈥榊ou鈥檙e damn right.鈥 I knew (bassist) Jim Fielder real well and I knew they were superb musicians. So I was on the next plane. We had a rehearsal that afternoon, an audition, and it was instant magic. We just knew right off the bat.鈥

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