NEW YORK (AP) 鈥� Who won the ? Nature and its many blooms, along with some far-flung princesses.
It was anybody’s guess exactly how the celebrity crowd on the steps of The Metropolitan Museum of Art would interpret the 鈥淕arden of Time鈥� dress code Monday at the annual fashion extravaganza after last year’s .
鈥淚 was pleasantly surprised by how many people seemed to really embrace the theme this year,鈥� said Jonathan Evans, style director for Esquire.
Granted, there was a lot of leeway in the word 鈥済arden,鈥� he said, but 鈥済iving attendees that low-hanging fruit, pun absolutely intended, is a good way to encourage people to stop worrying and have a little more fun with things.鈥�
And go for it they did in looks all things flora and fauna that mostly stayed on the rails, Lana Del Rey’s tree dress complete with branches high overhead being one of the exceptions.
It was a squishy assignment since the dress code is meant to herald the : 鈥淪leeping Beauties: Reawakening Fashion.鈥� The sleeping beauties of the museum show, however, aren’t at all Disney or 鈥淲icked鈥� or humans of any kind. They’re some of the fragile items plucked from the institute’s fashion archive and 鈥渞eawakened鈥� for the exhibit, but that didn’t stop more than a few on the A-list from providing moments of fairy tale dressing.
鈥淭he nod to the fairy tale was a huge motif with Lana Del Rey channeling 鈥楤eauty and the Beast鈥� and Brie Larson鈥檚 hourglass-inspired dress, but there was also an element of fantasy in nature via Zendaya鈥檚 transformation into a flapper peacock, Demi Moore鈥檚 orchid-shaped floral gown and Nicole Kidman鈥檚 black swan ensemble,鈥� said Madeline Hirsch, InStyle’s news director.
鈥淔antasy, romance and nature weaved together in many of the best looks of the night, and the carpet turned out to be more cohesive visually than I anticipated,鈥� she said.
Among the big gowns (Cardi B) and garden takes (Zendaya and so many more) were other flower moments that earned their camera sun.
鈥淒esigner Christian Cowan and Sam Smith won cutest couple in looks inspired by Oscar Wilde and the English rose. Christian was in cream and Sam was in black organza with coordinated oversized metal-plated roses that kept both of their jackets closed and our minds open,鈥� said stylist and independent brand consultant Larry Curran.
And some of the stars didn’t forget the people who dressed, and in many cases, hosted them for the party that raises the bulk of the Costume Institute’s budget each year.
鈥淕igi Hadid gave her flowers to the team at Thom Browne by breathlessly thanking them on the red carpet for creating a one of a kind stunner that comprised about 3 million beads and took 5,000 hours to make,鈥� Curran said. 鈥淪erving old Hollywood glamour, it was hard not to smile as she gave credit to the often overlooked craftsmen that drive the fashion industry, and she looked gorgeous doing it.鈥�
Loewe, one of the gala’s sponsors, hit it big by dressing the evening’s mastermind, Anna Wintour, in a black coat adorned with blooms. There were other big wins for Loewe, but Zendaya provided a double-punch of fashion goodness made by a different name.
In a rare twist, she walked twice, changing into a John Galliano spring 1996 Givenchy Haute Couture look in black to close the carpet. The huge gown, with a flower-stuffed hat from 2007 Alexander McQueen, came after she walked as a co-chair of the evening in custom Maison Margiela Artisanal, also by Galliano.
鈥淶endaya would鈥檝e been my best dressed based on her first look alone. When she surprised everyone by changing, she not only won the night but earned a place in Met Gala history for her fashion double down,鈥� said Andrea Lavinthal, the style and beauty director for People.
Tiffany Reid, senior vice president of fashion for Bustle, The Zoe Report, Nylon and more, lauded the Balmain look of Tyla as a great example of the theme done right.
鈥淭yla won the carpet, a true play on the garden of time,鈥� she said of the body molded look made of actual sand. 鈥淭he hourglass sand bag complemented the sand-treated dress and was the icing on the cake, not to mention the theatrics of her 鈥榳alk鈥� on the carpet.鈥�
Tyla’s team carried her up the stairs.
Fashion fans, said Town & Country editor in chief Stellene Volandes, likely couldn’t care less how well their favorites did in stepping up to the theme. Take Zendaya, for instance.
鈥淪he looked beautiful in two looks that touched on the theme of the night and of the exhibit but even if she hadn鈥檛 the people watching would have still been screaming her name,鈥� Volandes said.
The 鈥淕arden of Time鈥� theme was inspired by an obscure J.G. Ballard short story first published in 1962. It’s about a count and countess whiling away their days in a secluded villa surrounded by a garden as a horde of rabble rousers approaches. He reverses time with the last of some magical flowers in the garden, until the last bloom is plucked and the mob descends.
On one level, it wasn’t a bad match for the gala crowd strutting in its finest floral splendor as protesters against Israel鈥檚 ongoing war with Hamas attempted to march to the museum. On another plain, it was just, well, fashion.
鈥淭he problem with interpreting a theme based on a story about class struggle, the fragility of beauty and the inevitable ravages of time is it requires that someone actually read it,鈥� said Hal Rubenstein, a designer, founding editor of InStyle and author of 鈥淒ressing the Part: Television’s Most Stylish Shows.鈥�
鈥淲ell, that obviously didn鈥檛 happen. So, with rare exceptions, an impressively star-packed staircase featured a lot of intricately embroidered and beaded gowns covered in flowers. As Miranda Priestly says in 鈥楾he Devil Wears Prada鈥�: 鈥楩lorals, for spring. Groundbreaking.鈥欌��
Bianca Betancourt, digital culture editor for Harper’s Bazaar, saw three major fashion themes through the evening: florals, vintage and lots of gothic romanticism. That, she said, 鈥渕eant almost every guest seemed as if they were going to the world’s most over-the-top tea party.鈥�
Zendaya’s looks were darker than usual to push the drama and theatrics, Betancourt said, and Cardi B’s massive black tulle grown swallowed nearly the entire carpet.
“Some guests, like Doja Cat, took a more conceptual route for the theme, where she chose to wear a wet white T-shirt gown by Vetements since cotton is the world鈥檚 most popular and picked flower. Tyla also played around with the theme, opting for a sandy body cast gown by Balmain, leaning into the concept of time and turning herself into a stunning human hourglass,鈥� she added.
Wintour saw pitfalls, before the gala: 鈥淭his exhibition broke my cardinal rule. When we came up with the title 鈥楽leeping Beauties,鈥� it鈥檚 wonderful and poetic and romantic, but it actually could be many, many things.鈥�
When she went to the Costume Institute curator, Andrew Bolton, for dress code advice, the conversation went like this:
鈥淚 said, 鈥榃hat are we gonna say to people to wear to this night?鈥� And he said, 鈥榃ell, what about 鈥楪arden of Time?鈥� So I fear that we鈥檝e unleashed a lot of confusion out there, for which I deeply apologize. I imagine we’ll see a lot of flowers.鈥�
All’s well that end’s well, Anna.
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